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Magix Music Maker - Free download and software reviews. Pros. Great interface and easy to read.. More room and time for creativity. Easy to learn and no so many buttons, sliders and knobs to figure out. Free Software Similar To MixcraftAcoustica developers of the award-winning Mixcraft music recording software. Acoustica makes the best and easiest to use recording software. Popular Alternatives to LMMS for Windows, Mac, Android, Linux, iPad and more. Explore 66 apps like LMMS, all suggested and ranked by the AlternativeTo user community. The product you can download here is called Numark CUE. It’s a DJ console and mixing software solution which supports a series of Numark hardware controllers. Tuition; Tech; The 20 best DAW software apps in the world today; The 20 best DAW software apps in the world today. By The MusicRadar team. Mixcraft 8 is the Musicians DAW - music recording software for musicians, not engineers. Audacity is free, open source software for recording and editing sounds. You can use Audacity to record live audio, convert tapes and records, edit sound files. Free Recording Software Turn your computer into a complete recording studio - for nothing. Amazingly, some very good music recording software is available free to. The best Free Music Software Freeware, VST,VSTi,AU,RTAS,Plugins,Instruments Download. Are you a Windows user who's been tempted by talk of GarageBand? Here are the best alternatives to Apple's music production software that you can run on your PC. Cons. Buggy... Buggy... Buggy. Dont install WINDOWS 1. MMM (any version)Summary. I've been a customer since 2. MMM except for a few minor problems such as the piano not working as well. But now, since installing windows 1. MMM2. 01. 5 was installed, messed up the installation pretty bad! Under the midi instruments, my Vita solo instruments no longer work and there is no work around. It will require another activation however when you click on it.. English translation. When you edit a track and record an edit.. The mixer keeps changing the volumes you set it at. I tried reverting back to as far as 2. SING&SEE singing software is a vocal training aide for singing teachers and all singers, providing visual feedback of the singing voice - pitch, dynamics, and timbre. I dont know who to blame.. Windows 1. 0 or Magix for not responding to my tech help emails! Reply to this review. Was this review helpful?(1) (0) Pros. Another take on music production. Initial start fantastique. Cons. Too buggy. Creativity often lost. Suddenly forgets the instrument in the midi track with all it's initial settings. Suddenly deletes half the arrangement after midi edit (able to redo this error af revert of save). If your production takes more than 3. There are DLL's from 1. That was when Windows 9. No wonder it's one big crash. Virtually as buggy as .. The latest Windows 1. The Vita solo instruments no longer work. The data in the editing doesn't line up. I tried to go back to windows 7 but that messed up everything else... Just finished an album of 1. Tech support is non- existent. I've been a customer since 2. MMM product but this, now, is a mess and very big disappointment! Sorry Magix but you busted my confidence! Reply by I seethisname on December 1. I know what you mean, I'm using the 2. The latest Windows 1. The Vita solo instruments no longer work. The data in the editing doesn't line up. I tried to go back to windows 7 but that messed up everything else... Just finished an album of 1. Tech support is non- existent. I've been a customer since 2. MMM product but this, now, is a mess and very big disappointment! Sorry Magix but you busted my confidence! Reply by I seethisname on December 1. I know what you mean, I'm using the 2. The latest Windows 1. The Vita solo instruments no longer work. The data in the editing doesn't line up. I tried to go back to windows 7 but that messed up everything else... Just finished an album of 1. Tech support is non- existent. I've been a customer since 2. MMM product but this, now, is a mess and very big disappointment! Sorry Magix but you busted my confidence! Pros. I've made some professional quality tunes with this product. It allows me to record audio. It allows me to use VST plugins. It came with a free copy of music studio (2. Onboard sound is pretty snazzy. Good for beginners. Cons. It crashes when I want to change the tempo on a track sometimes. It crashes when I want to use an effect sometimes. Sometimes it crashes for no reason at all! All the crashes lead me to the tedious option of saving songs three times (i. I have 8gb of memory on a 6. I accept that magix is a 3. I have run it with all other programs off and checked task manager for actual memory usage. Summary. This is a great program for beginners and I would recommend it for such, ultimately though I think it tries to do too much and can't deliver on what it promises. The more of an advanced user I become the more I see MMM's limitations. I can't afford, nowadays, to use a program that crashes so often at crucial stages in a mix. For more reference I have been using the program for over 2 years and have 8gb of ram with a fast 4 core cpu and more than adequate hdd space etc. Reply to this review. Was this review helpful?(0) (0) Pros. It works well. Cons. ACTIVATION, Reactivation,Service support. Summary. Great product, ACTIVATION NIGHTMARE ! Activation is sooo bad. I will never buy this product again. If you go to their web site and log in,you can go to your account and see your products. You can re download and use the activation code ONCE. If for any reason you need it again.. NO GOOD!. will not work. If you try Activation restore, you will need your computer ID number and your original Order number. All of which I have and still it will not work. I have been through this (unfortunately) many time due to hard drive failure and Windows upgrades. Tony Cassara. Reply to this review. Was this review helpful?(0) (0) Pros. I am a DEveloper/Code writer. Programs are done with my again Programmed Artificial Knowledge. But on The Vocals The Program; altough doesn't mention the Limitations for Trial, recorded only 1/4 of the sounds.? Summarycan be differed with the other programs. Reply to this review. Was this review helpful?(0) (1) Pros. Don't play an instrument? The layout is simple to grasp, easy on the eyes, and doesn't chew up processor power. The powerful editing, EQ, pitchshifting, and resampling features make it easy to work with loops, waves, live audio, and Mp. Cons. It would be nice to be able to change the color scheme of the arranger window as well as the objects within it. Summary. Fantastic addition to the Magix product line. Reply to this review. Was this review helpful?(0) (0) Pros> Intuitive user interface.> Powerful audio tools> Pro- sound> Company committed to improving software. Cons. None based on my use of the program. Summary. I am a digital filmmaker not a musician; but music is a major component in my films, so I use Magix's Music. Maker to arrange music tracks provided by musician collaborators, adjust volume, EQ and adjust the stereo depth of the arrangement. That shows the range of utility for this software. Garage. Band - Wikipedia. Garage. Band is a line of digital audio workstations for mac. OS and i. OS that allows users to create music or podcasts. Garage. Band is developed and sold by Apple Inc. Its music and podcast creation system enables users to create multiple tracks with pre- made MIDI keyboards, pre- made loops, an array of various instrumental effects, and voice recordings. Garage. Band supports many sound formats, though not those that are at 8- bits or lower but can be made longer. History. Gerhard Lengeling was formerly from the German company Emagic, makers of Logic Audio. The musician John Mayer assisted with its demonstration. It shipped, as announced, around January 2. Notable new features included the abilities to view and edit music in musical notation. It was also possible to record up to 8 tracks at once and to fix timing and pitch of recordings. Apple added automation of track pan position, master volume, and the master pitch. Transposition of both audio and MIDI has been added by Apple along with the ability to import MIDI files. Garage. Band 3, announced at 2. Macworld Conference & Expo, includes a 'podcast studio', including the ability to use more than 2. Chat for remote interviews. Garage. Band 4, also known as Garage. Band '0. 8, is part of i. Life '0. 8. It incorporates the ability to record sections of a song separately, such as bridges, and chorus lines. Additionally, it provides support for the automation of tempos and instruments, the creation, and exportation of i. Phone ringtones, and a . It includes music instruction and allows the user to buy instructional videos by contemporary artists. It also contains new features for electric guitar players, including a dedicated 3. D Electric Guitar Track containing a virtual stompbox pedalboard, and virtual amplifiers with spring reverb and tremolo. Garage. Band 5 also includes a cleaner, redesigned user interface as well as Project Templates. Garage. Band 6, also known as Garage. Band '1. 1, is part of the i. Life '1. 1 package, which Apple released on October 2. This version brings new features such as Flex Time, a tool to adjust the rhythm of a recording. It also includes the ability to match the tempo of one track with another instantly, additional guitar amps and stompboxes, 2. This version has lost Magic Garage. Band and the podcast functionality. Apple updated Garage. Band 1. 0 for Mac on March 2. Version 1. 0. 0. 2 adds the ability to export tracks in MP3 format as well as a new drummer module, but removed support for podcasting; users with podcast files created in Garage. Band 6 can continue to edit them using the older version. This version included myriad bug fixes and several new features including a dedicated Bass Amp Designer, the introduction of global track effects and dynamic track resizing. Built- in audio filters that use the AU (audio unit) standard allow the user to enhance the audio track with various effects, including reverb, echo, and distortion amongst others. Garage. Band also offers the ability to record at both 1. Audio Resolution. It also has a large array of preset effects to choose from, with an option to create your own effects. Virtual software instruments. These can be used to create original compositions or play music live through the use of a USB MIDI keyboard connected to the computer. An on- screen virtualkeyboard is also available as well as using a standard QWERTY keyboard with the . The synthesizers were broken into two groups: . Each synthesizer has a wide variety of adjustable parameters, including richness, glide, cut off, standard attack, decay, sustain, and release; these allow for a wide array of sound creation. Guitar features. These imitate popular hardware from companies including Marshall Amplification, Orange Music Electronic Company, and Fender Musical Instruments Corporation. Up to five simulated effects can be layered on top of the virtual amplifiers, which feature adjustable parameters including tone, reverb, and volume. Guitars can be connected to Macs using the built- in input (requires hardware that can produce a standard stereo signal using a 3. USB interface. MIDI editing. By complying with the MIDI Standard, a user can edit many different aspects of a recorded note, including pitch, velocity, and duration. Pitch was settable to 1/1. Velocity, which determines amplitude (volume), can be set and adjusted on a scale of 0–1. Note duration can be adjusted manually via the piano roll or in the score view. Note rhythms can be played via the software instruments, or created in the piano roll environment; rhythm correction is also included to lock notes to any time signature subdivision. Garage. Band also offers global editing capabilities to MIDI information with Enhanced Timing, also known as Quantizing. However, many of these shortcomings have been addressed with each successive release of Garage. Band. Also of note, MIDI sequences edited or created in Garage. Band cannot be exported to other DAWs or programs without first being converted to audio. Music lessons. There are two types of lesson available in the Lesson Store: Basic Lessons, which are a free download, and Artist Lessons, which a user must purchase. The first Basic Lessons for both guitar and piano are included with Garage. Band. In Garage. Band 1. Apple refers to as 'audio units') which are listed within the sound library are dimmed and unusable until the user pays an additional fee which allows the utilization of those sounds, bundled with the guitar and piano lessons. Attempting to click on and select the dimmed audio units to apply to the track causes promotional prompts to appear, requiring the user to log on with their Apple ID and furnish credit card information before knowing the price of the bundle. In both types of the lesson, a music teacher presents the lesson, which is in a special format offering high- quality video and audio instructions. The lessons include a virtual guitar or piano, which demonstrates finger position and a musical notation area to show the correct musical notations. The music examples used in these lessons features popular music. In an Artist Lesson the music teacher is the actual musician/songwriter who composed the song being taught in the lesson. All loops have an edit and effects option. Jam Packs. Each Jam Pack contains loops and software instruments grouped into certain genres and styles. The current Jam Packs are as follows: Garage. Band Jam Pack: Remix Tools. Garage. Band Jam Pack: Rhythm Section. Garage. Band Jam Pack: Symphony Orchestra. Garage. Band Jam Pack: World Music. Garage. Band Jam Pack: Voices. There was also another Garage. Band Jam Pack, initially known just as Garage. Band Jam Pack, later Garage. Band Jam Pack 1, which Apple discontinued in January 2. Beginning with the release of the Remix Tools and Rhythm Section Jam Packs, each Jam Pack has been designated with a number. The release of Garage. Band Jam Pack: World Music also saw a redesign in packaging. Main. Stage 2. It also features an interface for live performances and includes a large collection of plug- ins and sounds. However, there are limitations, including that Audio Unit instruments which can respond to multiple MIDI channels or ports can be triggered only on the first channel of the first port. This means that multi- timbral instruments which contain multiple channels and respond to many MIDI channels, such as Native Instruments. Kontakt and MOTU Mach. Five, are not ideally suited for use in Garage. Band. Third- party vendors also offer extra loops for use in Garage. Band. Users can also record custom loops through a microphone, via a software instrument, or by using an audio interface to connect physically a guitar or other hardware instruments to a Mac or i. OS device. Sample multitrack source files. He also gave permission for anyone to share their personalized remix with the world. Since then, Nine Inch Nails has released several more Garage. Band source files, and several other artists have also released their Garage. Band files that the public could use to experiment. Stems and Seeds contained a remastered version of Way to Normal, and a separate disc containing Garage. Band files for each track from the album to allow fans to remix the songs. Limitations. There is also only limited support for messages sent from knobs on MIDI keyboards, as only real- time pitch bend, modulation, sustain, and foot control is recognizable. However, since Garage. Band '0. 8, other parameters affected by MIDI knobs can be automated later, per- track. Garage. Band has no functions for changing time signature mid- song though the software does now allow a tempo track to automate tempo changes. The ability to reverse tracks is also not available. Other than pitch bend, Garage. Band is limited to the pitches and intervals of standard 1. Logic Pro supports many different tunings. Music can be created using the on- screen instruments, which include keyboards, drums, a sampler, and various . It also acts as a multitrack recording studio with Stompbox effects and guitar amps. Songs can be emailed or sent to an i. Tunes Library. Additionally, projects can be imported to Garage. Band for mac. OS, where they are further editable. This feature also allows instruments from the i. OS platform to be savable to software instrument library on the Mac. The app is compatible with i. Phone 3. GS or higher, the third generation i. Pod Touch or higher, and all versions of the i. Pad, including the i. Pad Mini. The app, with all instruments included, is available for $6. Apple App Store. Instruments. The keyboard is set up like a standard keyboard, and features several keyboard instruments (some of which are customizable), including grand piano, electric piano, various organs, clavinet, synth leads, synth pads, and bass synths. It also has many different sound effects. 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February 2. 01. 5; 3. January 2. 01. 6; 1. September 2. 01. 6. There is no. other music like the toneless music of millions of years of accumulated. Byrd (The National Geographic Magazine. Oct. 1. 94. 7). In his 1. The Ice - A Journey to Antarctica. American author and history professor Stephen Pyne argues that . The Bournemouth. Symphony Orchestra. The full. symphony was premi. Wright, and first released on 7. March. 5, 1. 91. 3 by Victory Records, sung by Robert Carr (B4. FILM MUSIC (2. 00. Vaughan. Williams. The short, eloquent Antarctic pieces, recorded in 2. Czech National Symphony Orchestra, conducted by Jan. Chalupecki. PCSD- 0. SONGS OF THE SOUTH - for Mezzo- Soprano and Piano by Scott Mc. Intyre (2. 01. 4) (not yet commercially available)Scott Mc. Intyre is an award- winning Hobart, Australia- based. Wirr 0. 59; www. australiancomposers. EX OCEANO - We. are from the Ocean - the Ocean sustains us - Symphony No. Matthew Dewey (2. Matthew Dewey is a. Sydney, Australia- based composer who has produced music internationally for the. Pym, a young man. Grampus, which undergoes mutiny and is. Southern Ocean. Trapped Near the South Pole. GLACIA by Patrick Higgins (2. Patrick Higgins is a New York, U. S. A.- based. guitarist, performer and composer of experimental and modern classical music. THE PARMA SESSIONS – NEW WORKS FOR PIANO by Karolina Rojahn et al (2. Karolina Rojahn is a Boston, U. S. A- based pianist of contemporary and. Poland. Song Writing Competition. OCEAN by Ezio Bosso (2. Web site download only)Ezio Bosso is an award- winning Italian double. London, U. K. 1 - . Ocean, for cello and orchestra. Cecil Madigan, who was a member of the 1. First Australasian Antarctic Expedition. Bean, Blackadder, The Thin Blue Line and The Vicar of Dibley. He spent the latter half of his life in New. York. This CD of choral music is sung by the NYCo. S. (National Youth Choir of Scotland) National Girls Choir was formed in 2. Symphony of Sorrowful Songs), a surprise international hit in the 1. Polish composer. 3 by the Cincinnati Boychoir (2. Founded in 1. 96. Cincinnati Boychoir, directed by Randall Wolfe, gives numerous local. Vienna Boys Choir, symphony. Doorly and Humpback Whales by Wendy Mae Chambers. Gerald Doorly, a talented pianist and entertainer, and. J. D. Morrison, as lyricist, collaborated on a collection of. Doorly. (2. 00. 2) in this section below and also ANTARCTICA SUITE by Wendy Mae Chambers (1. Web site download only)Mike. Hannickel is a composer and music director in California. Kerry. explained to us in 2. CMR2. 00. 6- 3; www. See also THE LAST PLACE ON EARTH – The Original Soundtrack Recording. Central TV. He has won three Emmy. Awards and since 2. Artistic Director of the Hollywood Symphony. Orchestra. Cecil Madigan, who was a member of the 1. First Australasian Antarctic Expedition. This 3. 4- minute opus consists of six. Scott. Try, try, try. Then. on the red fields of Flanders, All men were fallen, A bloody war, fought on. Brought pain and sorrow to a sailing man. But I. still hear the steam whistle blowing, . Gobelin Records 0. See also other recordings of this piece in this section.)NATALE by Banda Colloredo (2. The Philharmonic Colloredo di Prato is an orchestra, formed in 1. Colloredo di Prato (Udine), Italy. Cincinnati Boychoir (2. Founded in 1. 96. Cincinnati Boychoir, directed by Randall Wolfe, gives numerous local. Vienna Boys Choir, symphony. Randall Wolfe, Choir. Director, suggested some texts, which I supplemented with. Eastworld. TOCT- 2. ICESCAPE FOR. ORCHESTRA by Chris Cree Brown (2. Chris Cree Brown. Director (Academic) of the School of Music and Senior Lecturer at. University of Canterbury, Christchurch, New Zealand, as well as the composer of. The 1. 6- minute work resulted from a trip to Antarctica in. Artists to Antarctica programme of the New Zealand. Antarctic Institute (Antarctica New Zealand). Enterprises and piper Ian Mac. Innes collaborated to produce this CD. Doorly (2. 00. 2)The Morning was the relief ship sent to resupply Robert Scott. Gerald Doorly. a talented pianist and entertainer, and the chief engineer, J. D. Morrison, as. lyricist, collaborated on a collection of songs that were performed during. Cowled in darkness, Uttermost depth of. Ice built of water – water built into solids, Condensed to. Yet cousin to other constellations. Ice moons, ice planets, plunging comets. On the surface, a dazzling whiteness; Journeying. Floes and hummocks, pinnacles. Fractured and folded. Sir Peter Maxwell. Davies (2. 00. 1)Of special interest. British Antarctic Survey and the London Philharmonia. Orchestra commissioned prolific British composer Sir Peter Maxwell Davies to. Antarctic Symphony, his 8th Symphony. Terror and the virtuoso work was recorded in 2. U. K. Kapel is Antarctica by Carl. Wittrock, a Dutch composer and conductor (b. Petersburg, Russia and London, England and now based. Berlin, Germany, is a jazz pianist who has recorded and played. Winds of Time: Perils of Antarctic. Journey to the Other World: Loss of hope, and. In the Dark and Glaciers. Smith and franchise veteran Eric Darnell, this Dream. Works Animation. feature film continues with the escapades of a group of four New York Central. Park Zoo penguins. Octavius Brine, miffed at. Marc Paradis, one of the group. Anthony has worked in Antarctica. Leonard (2. 01. 4)Cheryl. Leonard is an award- winning California- based composer, performer and instrument. National Science Foundation. Karena told us about the project in. This is an Awful Place. Oates: Tragedy All along the Line. The Means to the End, The. Wreck of the Endurance, Water. Sky, Sixty Below, It. But there. is wonder, a rainbow away, In the light of each other. USC- CD- 1. 30. 1. OF WATER AND ICE by DJ Spooky (2. DJ Spooky That Subliminal Kid (a. Miller is a New. York, N. Y.- based composer, musician, writer, lecturer and multi- media artist. His current CD was produced as part of. Artist in Residence program, The Met. Reframed, organized by The Metropolitan Museum of Art in New York, which was. Miller's large- scale multimedia work Sinfonia. Antarctica. Miller presented The Science of Terra. Antarctica related. American Museum of Natural History in New. York, a presentation incorporating his Terra Nova: Sinfonia Antarctica. According to his. Web site, . Miller went to Antarctica. Terra Nova. Sinfonia Antarctica. This. is my alter ego! Bowers) by Craig Vear (2. Web site download only)Craig Vear is a British electroacoustic. Arts Council England Fellowship, in. British Antarctic Survey. Written for three male voices, bass. Robert Scott. Miller/ DJ Spooky (2. DJ Spooky That Subliminal Kid (a. Miller is a New York, N. Y.- based composer, musician, writer, lecturer and. DJ Spooky has put together his own multimedia. Antarctica. Miller went to Antarctica to shoot a. Terra Nova. Sinfonia Antarctica. Coupled with historic, scientific, and geographical visual material, Terra. Nova: Sinfonia Antarctica is a seventy minute performance, creating a. Miller presented The. Science of Terra Nova,which. Antarctica related to global climate change, at the American Museum of Natural. History in New York, a presentation incorporating his Terra Nova. Sinfonia Antarctica. The album has been produced by the English folk fiddle legend Dave. Swarbrick, a member of iconic British folk/rock group Fairport Convention, and. Jake. Erebus clearly visible. Lovecraft Literary Podcast by Reber Clark (2. Web site download only)Reber Clark is a Chicago. Lovecraft Literary Podcast commissioned me to do some music for them. Lovecraft fanatic, to be honest, and this is the third. Lovecraft- inspired material I. Lovecraft, largely written over a short time in. Ambient Fabric) is a Norwegian musician who has moved from. CDs. Cousteau), Shackleton, Endurance, Polheim (Amundsen). Trans- Antarctica and Ice Station. Mark told us that the liner notes best explain the reason. We strive to make the narrative arts an integral part of Portland. Newhouse School of Public. Communications. Arnaud Barbe), based in Grenoble, France, told us about the tracks: . James Clark Ross Hold #2 (Lemaire. Channel). Bowers) by Craig Vear (2. ANTARCTICA - Musical Images from the. Frozen Continent by Craig Vear (2. SUMMERHOUSESby Craig Vear (2. Robert Romanyshyn, a philosopher, author and psychotherapist at. Pacifica Graduate Institute, near Santa Barbara, California. Romanyshyn in Cincinnati in 2. The Melting. Polar Ice: Inner Journeys in the Outer World, the presentation. Dana Michelle Bergstrom(2. According to the Australian. Mac Lauren), with the book and production by Dr. Dana Michelle Bergstrom, an ecologist. Hobart, Tasmania, Australia and there was to be Workshop. Performance in February 2. Pym, a young man. Southern. Ocean. Lovecraft and the first story, At The Mountains Of. Madness, really inspired me with wonderful. Antarctic landscape; so much that the music I began. I took the idea further and. Michael told us in 2. Norway). would even attempt to claim sovereignty on it considering it was not really. Lovecraft, whose 1. Byrd- era Antarctic. Antarctica. National Science Foundation. Pym by Psi Corps (2. This is a joint project of Russia. Pym, a young man who stows away on a. Grampus, which undergoes mutiny and is finally wrecked on its way. Southern Ocean. Leonard (2. Cheryl Leonard is an. California- based composer, performer and instrument builder. National Science Foundation. Great Hoary Marmot Music GHMM 0. GLACIAL by. Watchmenmk (2. Web site download only)This. Serbia- based group has the tracks Antarctica. Antarctica pt 2, Glacial and Polar. Crystals. National Science Foundation. National Science Foundation Antarctic. 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Using other people’s research or ideas without giving them due credit is plagiarism. Things have changed considerably since then, both in the technology available to individuals and in the services available in the marketplace. It’s all good news for us independent publishers. The original article was called “DIY Book Production.” Aside from being a clunky term, you now have more power than that: You can be your own press. I now produce my own books at home from start to finish, and in this article will explain what I’ve had to learn and acquire in order to do that. Generally, self- publishing involves an inverse relationship of work to money: The more work you’re willing to do, the more money you can save; the more you want to just skip to an end product, the more it’ll cost you. Self- pub: Four times more options than in 2. When I self- published my first novel, double. Zero, in 1. 99. 9, I wanted to create a book to sell in stores. A big folded- over photocopy sandwich didn’t appeal to me, but I really didn’t know how else one could make a book, so I laid out the pages and the cover, then paid Coach House Press to do the production work. There may have been other ways to do it, but having written a book about Y2. K, I didn’t have the time to find out. Now, though, there are four main options available: Offset printing. Print- on- Demand. Hand- bound hardcovers. Perfect binding. Here’s a summary of each (with special emphasis on the ones I like!): Offset printing. Offset printing is a high- volume printing method that uses large machinery to transfer text and images from metal plates to rubber pads then finally to paper. Coach House Press is a sterling example of a traditional press who care about their work. Their price was also the best I found — cheaper by $1,5. Cynthia pipes in: I second that recommendation wholeheartedly. The moment I walked into Coach House to discuss the printing of Some Words Spoken, my nervousness dissolved. They are crafty elves who understand the feeling and flavour of books. One of the largest parts of the printing cost is the set up of the colour press. Once it’s up and running, leaving it to print 1,0. We printed extra covers and stashed them, so when our books sell out (!) and we need another 5. We’ll only have to pay for the black and white guts of the book, and the binding. The colour of the cover might shift when it goes to press. Your pretty proof from the designer might not match the final product. Make sure you get a proof from the printer and make any colour adjustments at that point. Once they’ve burned printing plates, it’s too late for you to be fussy. Pro: You get a lot of books. A large run of books is not much more expensive than a short run. Con: You get a lot of books. Expensive. In 1. 99. I paid $3,0. 00 for a run of 5. Because of the mechanical set- up costs, a short run of books is practically as expensive as a long run. You probably don’t want thousands of books. Even 5. 00 is an awful lot to move. It’s a one- shot deal. What you need: Print- on- Demand. Newer digital printers don’t need to be mechanically adjusted to switch between jobs, so Po. D publishers can print copies of work as needed. I’m fussy about how my work looks, and the one Po. D service I looked into seriously (the reputable Cafe. Press) involves turning your pages into funny- sized PDF files and uploading them to the invisible maw of a webpage. I’m generally comfortable with Internet anything — online banking, making purchases, auctions — but I’m used to revising and reviewing and revising and reviewing until I like what I’ve created; I didn’t feel confident about what I might get from this method and took it no further. So my discussion of Print- on- Demand ends here. Pro: Less expensive than traditional printing. No stockpile of unsold books. Con: Bookstores won’t carry them. Each has to be ordered at a retail price, which stores won’t pay. Stores also can’t return them if they don’t sell, which is the practice they’re accustomed to. The price per book to you, the author/publisher, is often close to the retail price. The cover templates they offer are often yeechy. Some Po. D shops promise and charge for marketing and promotion they have no intention of delivering (listing you in a vast catalogue, for instance, does not count as promotion). The way these businesses pitch themselves plays on the emotions of frustrated yet ambitious authors. What you need: Ultimately I’m happy I didn’t go this route, because instead of tying my work into a company’s Po. D service I learned the following two methods, which have been a fun breakthrough in my career. Hand- bound hardcovers. It’s easier than you might think to create a hardcover book of your work. There are endless fun ways to adapt the handmade book process, too: For Christmas 2. I made all my own presents — journals, photo albums, even a pop- up stage with a wee cartoon actress for a friend of mine who’s in the theatre. These were a real hit. I found it hard to follow even the best of diagrams. I finally got it when I read Peter and Donna Thomas’s excellent Making Books by Hand. Now that I have the hang of it, it’s actually fun, almost therapeutic, to sit and stitch a book together. Producing a novel this way, though, is not so much fun. Where my wee book of short stories or a journal contains ten or twelve “signatures” — sewn- together groups of pages — my third novel makes up twenty- six signatures. That’s a very, very long thread, and a lot of bits of folded- up paper to keep organized while sewing them together. Here’s how to do it yourself: For these next two sections, I’m going to divide the materials section into two options: “Minimum” and “Press”. The minimum requirements will allow you to get started and learn without much initial investment, if any (depending on how much craftsy material you’ve got lying around the house). The “Press” materials are in case you decide, as I did, that you wanted to produce store- quality books at home, without having to go out and pay for commercial print shop services anymore. What you need: Minimum. Press. A completed, typeset manuscript printed out. A finished cover design. A sharp blade and ruler. A rotary- blade guillotine. Your pages will be much more even using one of these. Hard paper board for the covers. I was using matting board like you’d get from a framing shop until I found large grey boards in an art shop that cost a fraction of the price. Bookbinding board is available, but the board will never be seen, so it doesn’t need to be fancy. I’ve tried corrugated cardboard, but it’s too puffy; it doesn’t feel like a proper hardcover. An awl for punching small holes in your pages. Or you can also sink a needle into a piece of dowelling. I use a model- maker’s drill, which is like a watch screwdriver with a 1mm drill bit, and drill through all the pages before folding them. You can also get eggbeater- like hand- drills that will accept a small bit, but I found this harder to control and snapped several bits. Heavy thread. You can run it across beeswax to make it easier to work with and less likely to tangle. Paper. Regular copy paper will do, or you can use an ivory stock for an antiquey look. Heavy paper or paper- backed cloth for wrapping around your cover. This helps you make sharp creases in your pages. More and more art supply shops have bookbinding materials like these. How I do it: Print out the book. Make one mock- up page as your hole guide and use it on smaller groups of pages. Fold the pages with your finger, or bone folder. Group the folded pages into stacks of pages, no more than five or six pages per stack. If you look at any hardcover book in your house closely, you’ll probably find that it’s made up of folded- over groups of pages like this. These are “signatures”. If all the pages were just stacked and folded over, they’d bulge out in a U- shape on the right- hand side. Using smaller groups of pages, or signatures, prevents this. Sew the first signature: in the first hole,out the second hole,in the third hole,out the fourth hole. This makes Signature One. Sew the second signature so it’s joined to the first: into the first hole of Signature Two,out the second hole of Signature Two,back into the second hole of Signature One,out the third hole of Signature One,back into the third hole of Signature Two,out the fourth hole of Signature Two. Others do a better job; see the resources above.)Once all the signatures are stitched, tie the two ends of the thread together, clamp the pages between two hard pieces of board with the spine sticking out, and glue the spine fairly heavily with glue. Leave this clamped together and put it aside to dry. Cut two pieces of board, each the same size as one of your folded pages, and cut a third board just smaller than the spine- width of your sewn- together signatures (which now make up a “book block”). Cut a piece of cover cloth or paper a little bit larger than the size of these boards, allowing some gutter- room between the boards since your cover will need to hinge open and closed easily. Cut a small bit off the four corners diagonally so they won’t bunch up when folded, brush glue on the inside edge, and tuck them in, pressing down so they stay flat. Cut two pieces of decorative paper the same size as your book’s pages and fold them with their fancy side facing inward. When your book block has dried, put a small amount of glue on either end and glue these “end papers” to the block. Smear glue on the inside of your cover and stick the outsides of your end papers to the cover. Close the book and clamp it between boards or put it under something heavy, and leave it to dry overnight. When it’s dry, open your book, separate the edges of any pages that are stuck together, and sign it! Here’s how my books look in hardcover: Perfect binding. It didn’t occur to me until recently that I could do this, too. |